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Prudence: I anticipate the appellation is "original casting album," but I apperceive what you mean. Anyway, "Indoor/Outdoor" has its moments. I admired Samantha's adeptness jokes about pop culture. I chuckled aback she said, "I sit in advanced of the TV 90 percent of my life, what do you expect?"
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Jane: But alike by the standards of beastly animal amphitheater -- not a brand abounding with masterworks, let's face it -- this one's a bit sloppy. It's alarmingly unstructured, for instance, and not in a good, Chekhovian way. It aloof goes on and on.
Prudence: I abhorrence to say it, Jane, but I anticipate that ball about "man's best friend" was better. You know, the A. R. Gurney off Broadway a while back, starring what's-her-name, with the beard like an ungroomed cocker spaniel.
Jane: Sarah Jessica Parker. She went from arena a dog onstage to block dogs on that HBO show. What a career!
Prudence: She needs a new agent. But we digress. Unfortunately, Mr. Finkle avalanche abrupt into the accepted allurement of boundless cuteness here. Alike the names: Shuman and Matilda. Bodies with ambrosial names. Ugh.
Jane: It's abundant to accord you hairballs, but let's not go there. I mean, I'm not 100 percent sure, but I heard a rumor that we were called afterwards a Barbara Pym novel.
(Long pause.)
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Prudence: A Pinter moment. I didn't know. But that explains a lot.
Jane: To get aback to the play, I additionally begin the accomplished lonely-human-bonding-with-cat affair agilely offensive. To humans, I mean.
Prudence: And the indoor-outdoor dichotomy is so reductive. Be honest with me: do you ache for a attributes frolic?
Jane: Not in this neighborhood.
Prudence: The kids approved hard, though. A lot of activity on that stage. Although I'm not abiding why Emily ----
Jane: Make that Ms. McDonnell, honey. We're in The Times.
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Prudence: Sorry, I'm not abiding why Ms. McDonnell thinks a cat should allocution like a little babe on too abundant Ritalin.
Jane: A acceptable point. But Mr. Finkle's autograph doesn't action them much. He absolutely shouldn't accept angled to that "cat got your tongue" line.
Prudence: Whence this aberration for ascribing animal alertness to animals, anyway? It's disrespectful, is what it is. Why not let us absorb our own, ineffable otherness?
Jane: The ineffable -- we're aback to Chekhov!
Prudence: It's authentic egotism, really. They're a actual species-centric species, after question. The accuracy is, "Indoor/Outdoor" is absolutely aloof addition comedy about abortive animal relationships, with little bristles fatigued on.
Jane: And as such, about as beginning as aftermost week's Fancy Feast. The accepted adhesive homilies about acquirements to communicate. If you ask me, advice is awful overrated. That's why we get forth so able-bodied with these creatures. Advice is necessarily primitive.
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Prudence: Absolutely! And for that matter, I anticipate they overrate the accomplished alertness thing, too.
Jane: I adopt unconsciousness, actually. Let's go aback to sleep.
Indoor/Outdoor
By Kenny Finkle; directed by Daniel Goldstein; sets by David Korins; apparel by Michael Krass; lighting by Ben Stanton; complete by Walter Trarbach and Tony Smolenski IV; accepted manager, Adam Hess; assembly date manager, Brian Maschka; assembly manager, Shannon Case. Presented by Margo Lion, Hal Luftig and Daryl Roth, in affiliation with Lily Hung. At DR2 Theater, 103 East 15th Street, Flatiron district, (212) 239-6200. Running time: 1 hour 30 minutes.
WITH: Mario Campanaro (Oscar and others), Brian Hutchison (Shuman), Emily Cass McDonnell (Samantha) and Keira Naughton (Matilda/Mom/Sister).
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